Starring a near perfect cast, The Addams Family tells the story about an unusual family in an unusual (for them) new town.
“They’re creepy and they’re kooky…” as the theme song goes. After a few years off of television and movie screens, The Addams Family, a gothic family with horror elements within their circle, are back in a new animated feature for a new age. With a cast that could not be more perfect, good animation and some decent jokes, the film is indeed enjoyable, although it has many flaws that pervade this edgy (but not edgy enough) movie
The film concerns the titular family Gomez, played by Oscar Isaac and Morticia (Charlize Theron) having just gotten married, before being chased out of their traditional home by an angry mob for being “weird” according to the locals. To escape from the torches and pitchforks of the “regular people,” they move to the most hideous place they can think of: a converted abandoned insane asylum in New Jersey. From there they live “peacefully” with their hand servant, Thing, and the asylum’s lone living resident turned butler, Lurch, played by co-director Conrad Vernon and later having their 2 children, their solemn and blunt daughter Wednesday (Chloë Grace Moretz) and their explosive loving son Pugsley (Finn Wolfhard).
13 years later however, as the family is planning for a family celebration that would see Pugsly become a man in the eyes of the whole family, they discover a small town called “Assimilation” built by HGTV-esque reality show host Margaux Needler for her next big project right at the foot of the hill their house is. And when the town meets the reclusive “creepy” family, tensions begin to boil, both from within and without both sides.
Impeccably animated, the films style mimics that of the original New Yorker cartoons. Despite being cgi, the animation is given similar rules to 2d, such as the utilizations of squash and stretch for certain comedic moments. Whatever plastic look objects within are deliberate, as the town of Assimilation feels creepy in its own way, with vibes of artificiality and conformity that makes the Addams Family, despite their (sometimes literal) creature comforts, seem natural by comparison.
The cast is probably the best part of the film. It’s good to the point where they could have easily played these characters in live action and be non the worse. This especially goes to Issacs and Theron in their roles, convincingly portraying a couple who very much care for each other (in their own way). Nick Kroll also deserves some spotlight as Uncle Fester, the adorably naive uncle, who has his own lovable but odd quirkiness.
The comedy also works very well, although not 100% of the time. Certain jokes involving Thing were definite causes of laughter, as well as some very funny sight gags throughout. Thankfully the film doesn’t loose all of its edgy morbid humour, though it has noticeably dulled, possibly to accommodate a more family oriented audience that the film appears to be targeting.
The dullness of The Addams Family does come across in its story. The film is rather warm hearted, at times contradicting the tone the family displays across other media. Certain characters will do something wrong or reprehensible, but will receive a proper happy end to it regardless.
The message of the film, while it may be more personal for some than others, is not exactly subtle and can be easily seen coming if you are above the age of a teenager. This also means the story is predictable, following similar beats and motions to some other animated movies, even if the style and timing is different.
Some of the reactions of the characters can be a bit out of touch with who they are, such as the certain times the family will get hurt and they will either act with glee/nonchalance, or react negatively. And in some cases moments where they shouldn’t react negatively.
The Addams Family might not have a complete grasp of the tone that these characters are usually associated with, and may need to polish its script and characters a bit more, but for an animated family film involving slapstick, light morbid humour and colourful designs and animation, you could definitely see a lot worse, especially with a property like The Addams Family.
It just perhaps needs to be more creepy, kooky, mysterious and spooky. ■
MGM holds preliminary talks to sell properties
The studio will be the next one looking to get rid of their assets.
The studio has sought potentially interested companies in purchasing their assets which contain one of the biggest franchises in film history.
The film studio MGM (Metro Goldwyn Mayer) has sat down with interested buyers for their film assets which includes the James Bond catalog.
The two biggest interested parties are Apple and Netflix. The outcome of either one would lead to an interesting future for franchises like Bond where any subsequent instalments in the franchise could lead to streaming-only content.
Apple’s new streaming service launched with very little hype, at least in comparison to its recent competitor in Disney+, but adding something like James Bond to it could draw some subscribers, especially if any future movies, or series, are kept exclusively to Apple TV+.
Should either of these companies move ahead with the acquisition, it will also lend to a shift to the ‘big six’ of media companies, which include; Disney, Netflix, Amazon, Comcast, AT&T and Apple.
Aside from Bond, one of the other large properties coming with an MGM acquisition includes The Handmaid’s Tale which has been a popular show on Hulu for the past couple of years.
No finalized buys have been singled out. ■
‘Captain Marvel 2’ officially in development
Carol Danvers’ sequel has officially been greenlit at Marvel Studios and is aiming for a 2022 release.
Debuting twice in a small window of March – May 2019, Captain Marvel (Brie Larson) thundered into the MCU and became an icon for young women everywhere. Now, in a world post-Avengers: Endgame, Marvel Studios is moving ahead with a sequel for 2022.
Directors Anna Boden and Ryan Fleck, however, are not expected to return. Marvel is still looking to keep the female eye for the director’s chair but no frontrunners have been announced. Boden and Fleck will remain with Marvel Studios in some capacity, and are rumoured to be discussing an upcoming Disney+ property.
The film is expected to take place after the events of Avengers: Endgame despite the mild cliffhanger teased in the first film which hinted at a long-running war between Carol and Ronan The Accuser.
The sequel will be written by WandaVision scribe Magen McDonnell.
Captain Marvel 2 will come to theatres in 2022. ■
‘Clone Wars’ trailer drops ahead of final season
The anticipation builds for a finale.
Get ready to fly back to a time in that galaxy far, far away you haven’t visited in six years.
Star Wars: The Clone Wars is returning for one more highly-anticipated seventh season and a trailer released on Wednesday has this galaxy buzzing with excitement.
It will of course release on Disney+, the streaming home of all Star Wars. Though in the past six months alone we got our first Star Wars live action TV series with The Mandalorian, the final film of the 40-year Skywalker Saga and a new video game with Fallen Order, fans are hungry for more.
There will be 12 episodes to bring an end to the iconic series with weekly releases starting on Feb. 21, a Friday.
Showrunner Dave Filoni returns to direct the new Clone Wars episodes, continuing the storylines introduced in the original series and exploring the events leading up to Star Wars: Revenge of the Sith.
Featured heavily in the trailer are fan favourite characters from the series and Star Wars universe as a whole. Anakin Skywalker, Ashoka Tano, Captain Rex, Darth Maul, Yoda and others are back for what appears to be a wild ride to the end.
The series ran for six seasons between 2008 and 2014 but it was cancelled when Disney purchased Star Wars from George Lucas, ending the much-beloved show without giving Filoni and his team a chance to properly bring it to a conclusion.
But now the director who was behind Star Wars: Rebels and played a big part in The Mandalorian is back to give The Clone Wars what it has always needed: a proper finish. ■
Reporting by Eli Ridder;
Editing by Nicholas Seles.
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